Ge
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达斯汀·里克特
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A twelve-year-old girl befriends a quirky teenage mermaid who's anything but mythical, and their friendship could heal an age-old feud.
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埃德瓦·贝耶
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An old Parisian bistro with eternal charm. Eight gentlemen around the table, eight great figures. They were the kings of Paris and national treasures, they are now endangered masterpieces. In this well-established ritual, their sense of humor and self-mockery remain intact. Tender and cruel, these eight old friends hate and love each other. When suddenly, an intruder appears…
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Guillermo Carbonell,Ben Deka,Julien Deka,Hervé Freiburger,Laura Kulik,Filipe Melo,Juan Montes de Oca
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A boy is haunted by terrifying nightmares where a monster lurks inside the closet. To his relief, his father appears in the middle of the night helping him to face his fears. But the boy will begin to question the true nature of these apparitions, having to face the truth about his father's destiny and the evil force that threatens to consume him.
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Alix Austin,Keir Siewert
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When Dakota tries to break off her toxic relationship with Axel, it starts transforming him into a monstrous creature. He gradually succumbs to the poison of the decaying relationship, becoming a creature with increased aggression, a touch that melts skin and worst of all, he's contagious.
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杰西卡·沙泽尔
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一个派对过后，少女Melinda（克里斯汀·斯图尔特 Kristen Stewart 饰）开始变得沉默寡言。新学期开始，她认识了新同学Heather（Allison Sik春晚魔术揭秘o 饰），尽管她并不喜欢Heather，但她却只能和Heather一起。她原先的那帮好朋友们都认为她在派对上的报警是对他们的一种背叛而疏远她，尤其是她原来最好的朋友Rachel（Hallee Hirsh 饰）也不再和她有来往，整天和她的新男友Andy（Eric Lively 饰)混在一起。语文课上，老师用她蹩脚的英文念她们的名字；生物课上，她和Dave（迈克尔·安格拉诺 Michael Angarano 饰）分在一组；美术课上，老师让她好好学画一棵树；历史课上，老师是个专横的民族主义者......她的世界因为回忆和现实而变得压抑不堪，她开始尝试画一些奇怪的东西。她终于下定决心把事情的真相说出来，到底在派对上她和Andy之间发生了什么事，到底她为什么要报警......她不再沉默。 本片改编自美国作家Laurie Ha上海彩铃网lse Anderson的同名获奖小说。
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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哈罗德·博尔赫斯
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15 岁的男孩布鲁诺与母亲和弟弟住在巴西的一个小镇上。某天，他从眼科医生那里得知自己患了眼病，即将失明。与此同时，他也正在经历青春期的困惑和苦痛。哈罗德·博尔赫斯独立执导的首部作品，他从1300 多名试镜者中选拔出小演员，在他们的合作中，重新设计了部分场景，并修改了剧本，赋予电影更多的现实主义元素。而演员也通过其自然清新的演技，将主人公面对悲惨未来时苦乐参半的情感演绎得颇为真实，共同成就了一部具有纪录片风格的成长电影。荣获2022年马德普拉塔电影节国际竞赛单元最佳影片奖。
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罗恩·安德伍德
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Mary Class is a highly successful business executive - who just happens to be the daughter of Santa Claus. But when her father falls ill, Mary returns to the North Pole and the life she left behind to take over for her dad and implement her innovative ideas for running Christmas.
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Jorge Michel Grau
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Describes how the catastrophic earthquake of 1985 had a negative impact on Along with thousands of others who were buried, a doctor with a dark past, a journalist seeking fame, and a family in distress will all be required to put their lives in danger in Mexico City. Every minute of their heroic rescue attempts turns into a chance for them to change the course of their own lives.